Tuesday, August 30, 2011

The Properly Dressed Cowboy


Ronald Reagan in a cowboy hat at Rancho del Cielo in 1976. Photo in public domain.

In the 1800s, clothing choice was vitally important to cowboys riding the range and on cattle drives. Proper clothing could save a cowboy's life, or that of his horse. Every item of clothing, from the boots to the hat, was carefully chosen before the cowboy left on a cattle drive or started work on the ranch.

Levi's 501 jeans. Photo by Michael Carian. 

In classic Western films, however, cowboys are often seen in clothing more acceptable to the times the film was made. For instance, it is a popular misconception that cowboys wore blue jeans in the 1800s. Although Levi Strauss and his partner were hard at work on a design, blue jeans were simply not available to cowboys in the early to mid-1800s.

Levi Strauss teamed up with Jacob Davis, a Latvian tailor, in 1868 to make durable pants for miners and cowboys using canvas for fabric and rivets to hold them together. The pants were not introduced in San Francisco by Levi Strauss & Company until 1873. These pants were canvas, though, and died brown, not blue. It did not take long for the popular product to make its way around the country, but these durable pants still cost money. In the early 1800s, cowboys wore wool pants purchased in second-hand stores, discards from wealthier people in town.

American Civil War soldier Samuel Black. Photo public domain. 

In the mid to late 1800s, cowboy attire was a mix of the second-hand wool pants and military uniforms from the American Civil War. They also wore the flat-heeled marching boots required by the military until they could afford to have a custom made pair. They wore heavy, gray Confederate army coats, which served them well in winter blizzards.

The cowboy uniform changed over the next ten to twenty years as clothing mass-produced in factories became more accessible and less expensive. However, cowboys continued to wear loose-fitting cotton shirts and wool pants. When the clothing wore thin it was repaired by the cook in the outfit.

According to Russell Freedman's Cowboys of the West, cowboys often stitched buckskin across the seat and down the inner thighs so the pants would not wear out from rubbing against the saddle all day long.

As mentioned before on this blog, cowboys had difficulty reaching into their pants pockets while in the saddle, so they often wore vests with pockets that were deep enough to keep items from falling out. Cowboys in the Southwest covered these vests with heavy canvas jackets to protect their bodies from thorns and cactus spines. Northern cowboys wore knee-length coats made from sheepskin or wool, depending on the type of animals they kept on their ranches.

The 1974 Western film Zandy's Bride is an interesting--and accurate--portrayal of how cowboy apparel was often designed according to the animals available on the ranch. Gene Hackman, the star of Zandy's Bride, lives on a ranch in Big Sur, California. He wears a thick wool coat in the opening scene, which is soon replaced by a heavy bear skin coat in the winter months.

Slickers, or oilskin raincoats were a necessity on the range and cowboys kept these rolled up and tied to the saddle or in the chuck wagon if they were on a cattle drive.

Perhaps one of the more well-known items of cowboy attire--besides boots and hats, or course--would be chaps. Chaps were invented by Mexican vaqueros, the original cowboys, and originally called chaparreras. They were used to protect the pants and legs from thorns and cactus spines.

An early style of chaps, called "Shotguns" were more like pants made of leather that the cowboy would step into, and these leather pants were replaced by the more popular batwing versions seen most often in Western movies--chaps that wrapped around the leg and fastened in back.

Batwing chaps, like coats, varied with the region. In the Southwest, cowboys wore chaps made of smooth leather. In the North, cowboys wore chaps made of wool, or fur, depending on the animals raised on the ranch.

The design of cowboy boots is strictly utilitarian, as well--pointed toes to slip easily into a stirrup; high heels to keep the heel in the stirrup; knee high to protect the legs from thorns and keep the dirt out of the boot; and tabs, or "mule ears" to tug the boot onto the foot. Fancy spurs attached to the boots were important to keep the horses moving, though cowboys enjoyed a variety of shapes and styles available for show.

Although current styles keep the pant leg outside of the boots, cowboys in the 1800s wore their pant legs tucked inside so they wouldn't snag on twigs and thorns. (If you haven't figured this out yet from these detailed descriptions of cowboy attire, cows have a habit of wandering into thorny areas where they are...rescued by cowboys!)

Cowboys spent as much as a month's wages to have their boots custom made. The only cowboys who wore ready made boots were either inexperienced green horns or cowboys saving their money for the real thing!

Although one might think a bandanna would be used for show, this is far from the truth. Bandannas came in a variety of bright colors to make the cowboy more visible in bad weather. They served--and still serve--many purposes. They block the hot Southwestern sun to prevent sunburn and mop up sweat from the brow. They keep the dust out of the mouth and nose during dust storms and warm the ears in cold weather. They are also used as washcloths, tourniquets, and blindfolds to lead horses out of burning barns.

Finally, the cowboy hat. Cowboy hats shield the top of the head from the heat of the sun, and the eyes from the sun's glare. The keep rain off the face. They can be used to wave to a friend from a distance, and to smack a slow horse on the rump.

Nowadays, cowboys wear hats according to what they need for their job more than fashion or to show what part of the country they come from. In the 1800s, style choice depended on region. In the Southwest, cowboy hats had tall crowns and wide brims. In the North, brims were narrow and crowns lower so they would not blow away. It was easy to identify where a cowboy came from by the style of his hat.

Although styles, colors, and patterns used on cowboy attire has changed over the years, the basic items remain the same because each item serves an important purpose in the life and work of a cowboy.

For more information on clothing see "The Boots They Wore..." on this blog.

(I am in the process of repairing damage to my blogs after they were hacked so some photos and sources may be missing. I apologize for the delay). 

Sources: 
  • Freedman, Russell. Cowboys of the West. Clarion Books. New York: 1985. 



Sunday, August 14, 2011

Cowboys of the Wild West: A Priceless Treasure

I recently returned from Colorado and a visit to my grandchildren. It was, as always, a wonderful experience.

During my visit, I was searching through the junk pile at a local garage sale when I spotted the perfect book for my grandchildren: Cowboys of the Wild West. It was published by Scholastic Books.

When I was a child, we were sent home with paper advertising fliers from Scholastic Books listing all kinds of wonderful childrens' books that sometimes cost as little as 25 cents. The book I held in my hands suddenly represented many things to me--time with the grandchildren, memories of my own childhood, and stories about my favorite subject: the American West!

It was as if the book was written just for me. I paid my quarter, drove back to my daughter's house, sat down with my grandchildren and started to read.

From the first page, I knew I had a priceless gem in my hands.

Cowboys of the Wild West was written by Russell Freedman in 1985. Freedman was raised in San Francisco in the 1930s, and according to his book, believed a cowboy was "a fellow who says "yup' and 'nope,' who never complains, who shoots straight, and whose horse comes when he whistles."

Freedman was raised during a time when Tom Mix, Roy Rogers, and Gene Autry were at the peak of their careers, influencing young cowboys across America, and during a time when Hollywood great John Wayne averaged ten films a year.

As Freedman grew older, started work with The Associated Press, and started researching cowboys, he learned--as all wanna-be cowboys do--that work as a cowboy is dirty, thankless, and exhausting, far from what one sees in the movies with shiny boots, neatly pressed white shirts and white cowboy hats. (How on earth could a real cowboy ever keep white clothes clean?

Freedman's little paperback childrens' book covers everything from the history of the cowboy to branding, ranch life, cowboy attire, and even cowboy songs.

Freedman explains the purpose of chaps, which were generally made of wool, leather, or fur and protected the cowboy's legs from burrs and brush burns.

He also explains the importance of vests with deep pockets, a necessity when riding the range as it is difficult for a cowboy to reach into his pants pockets while riding a horse!

In addition to the carefully detailed explanations, Freedman's book is filled with dozens of vintage and contemporary photographs and drawings, making it a wonderful historical adventure for cowboys young and old.

Cowboys of the Wild West was still published in 1990 and it is possible to locate copies in online stores, which I would highly recommend. It is more than a childrens' book in my opinion, it is a priceless treasure.

Monday, June 27, 2011

Billy the Kid Photo Sells for Millions!

In an earlier blog, I mentioned that the only authenticated photograph of the infamous Billy the Kid would be auctioned off at the Denver Merchandise Mart in June by Brian Lebel's Annual Old West Auction.

The photograph, a tintype image, had an estimated value of $400,000. Instead, the photograph sold for a stunning $2.3 million dollars to Florida billionaire William Koch, and energy company exec and collector of artifacts from the American Old West.

I would say that I am surprised, but the truth is, I love history, particularly the American Old West, and if I was a billionaire, I would have done the same thing! Good for you, Mr. Koch!

Tuesday, June 14, 2011

Kathy Weiser-Alexander, Legends of America, and Why I Write About History

I think I inherited my love of history from my father. My mother was always reading something, but my father typically stayed with one subject, American history, and most often the history of the Old West.

I also came from a large family and we spent our vacations, and just about every warm-weather weekend, hiking and camping in the Colorado mountains and exploring old mining camps and ghost towns. Even as a child I realized that, in addition to its stunning beauty, Colorado has a fascinating history that is both interesting and exciting.

As my children grew older, I started traveling through New Mexico and Texas six or eight times a year to visit my family and I realized that I had also become obsessed with the alluring beauty of the American Southwest. It was about this time, in 2005, that I first stumbled across what is now my favorite website--Legends of America. Legends of America is packed with stories of the history of America, ghost stories, legends, and vintage photographs. One could easily spend hours browsing through this site!

As I have now read so many of her stories, I recently decided to contact Kathy Weiser-Alexander, who created Legends of America with her husband, David Alexander, to interview her about her website and why she dedicates so much of her time to writing about history. I was surprised to learn that the website has been around since before 2003!

"Legends of America started on 2003, but, there was a forerunner called High Country Legends that lasted for about a year or so," Kathy Weiser-Alexander explained. "It was one of those free sites and basically was a training ground while I learned how to build a website, and began formulating where I wanted to go with it."

"When I started the website, I was actually working as a consultant, and traveled heavily throughout the United States," she continued. "I worked for months with a client in Denver, and another, in Vail and often stayed over weekends to pursue my own interests, driving to various destinations in Colorado and New Mexico. After a couple of years juggling the consulting and the website, I left my corporate job to pursue my dream full-time. Dave also had a job that required quite a bit of travel. I would then "hitch" a ride with him to places like Nevada, California, and Arizona. In 2009, he also left his corporate job to join Legends full-time."

Kathy explained that she travels with her husband throughout the year to collect stories. "We usually take 4 to 6 significant trips every year to various destinations. We have family in Kansas and Texas, so those destinations get covered frequently. We also try to take one big trip in the summer and one in the winter that can last from 2 to 4 weeks to extensively cover various areas. This winter, we spent a month in south Texas."

I can certainly understand--and relate to--Kathy's love of travel, as well as her love of stories. In my family, we have stories that were passed down through generations and my sister collected many of these stories during her genealogy research. I've been blessed with the opportunity to meet many people who are interested in history since I first started writing this blog and I've learned that people collect stories for many different reasons, so I asked Kathy why she started collecting stories about America's history. I was not surprised to learn that we write about history for the same reason--a love of American history passed down through generations.

"I don't officially have a history background, rather, a business degree and business background; but, have always loved history since I was a child," she explained. "Spending summers in an old miners cabin in the mountains of northeast New Mexico--Eagle Nest, Red River, Taos--my grandmother used to take us to ghost towns and Indian pueblos and that's when the love began. She knew lots of old-timers in the area and we would often visit them to hear old stories about places like Elizabethtown, Indian lore, wagon trains, and more. She was friends with the family who built Angel Fire and we watched it begin. By the time I was a teenager, I already had a large collection of antiques and had visited lots of ghost towns and historic places. Actually, High Country Legends was about the history and tales of this area; but, then it started to grow, adding tales of Colorado, Kansas, where I lived at the time; and, Texas, where I was born. Obviously, it has grown exponentially and will continue to. We will never be "done."

This makes perfect sense to me. Story collections, like genealogies, are never complete. I work on my stories every day, seven days a week.

As my love of American history seems limitless, I was surprised to learn that I do have favorite stories. My particular favorites have to do with the Irish and German immigrants, as these would include my ancestors. I also tend to favor stories about Colorado mining camps. I feel a connection, for some reason, with these people who came from all areas of the world to work the mines. I asked Kathy Weiser-Alexander if she favored certain stories and I was surprised to learn that she does!

"I most enjoy the tales about obscure people and little known places," she said. "As this all began in northeast New Mexico, those are probably my favorites. People like the gunfighter, Clay Allison, and the Colfax County War But, I am also fascinated with Baby Doe Tabor and a little known murderous family in Kansas called the Bloody Benders My favorite places to visit are still ghost towns and we've been to hundreds of them. Recently, I have also become obsessed with forts in the Old West. Of all these, I love Tombstone, Arizona the best; but Bodie, California; Bannack, Montana; and Rhyolite, Nevada are right up there."

Finally, Kathy Weiser-Alexander offered advice for those who want to learn more about the history of the town they live in. "Like you, no doubt, I always start on the Internet," she told me. "Outside of the obvious searches, I utilize genealogy sites and forums frequently for information. These initial searches often send me in several directions, and a tale about a particular place or person will often result in numerous articles, like Billy the Kid and Lincoln County, New Mexico."

"Then, of course, there is the oft forgotten local library, which will frequently have out of publication books, pamphlets, and articles relating to the area that can't be found anywhere else," she continued. "Then, of course, there are local museums and historical societies. If I'm really digging in, I will sometimes ask librarians and museum curators about local historians that I might talk to. I also find that visiting with folks at the local coffee shop, tavern, and owners of antique stores can provide a wealth of information, especially if I'm digging for "local legends."

I understand the desire to learn about our ancestors, as well as the desire to learn about the area where one lives, but I had a feeling there was more to Kathy Weiser-Alexander's dedication to American history, so I asked her what inspires her to continue with her project, year after year.

"Mostly I write about the history because I love it," she said. "I finally have a "job" where I love getting up and "going" to work. It's fun, creative, I get to travel, and meet all kinds of interesting folks. I'm also a trivia nut and love to spout what most of my friends call "useless information."

"On a more serious side, though, it is important to know how this great nation came about--the good, the bad, and everything in between," she continued. "There's no other nation like ours and to understand why that is, you've got to understand where we came from. I'm not one of those people that would love to have lived in another time, but, boy-o-boy, I sure would like to visit."

You can read Kathy Weiser-Alexander's stories at the website and blogs created by Kathy Weiser-Alexander and her husband, David Alexander:
http://www.legendsofamerica.com/
http://www.legendsofamerica.blogspot.com/
http://www.facebook.com/LegendsOfAmerica
http://twitter.com/legendsamerica
http://www.legendsofkansas.com/

Tuesday, June 7, 2011

Fort Sumner Revisited. And, the Only Authenticated Photo of Billy the Kid to be Auctioned in Denver

I drive through Fort Sumner, New Mexico four or five times a year on my way to Colorado and I always enjoy the visit. Fort Sumner is a small town with a big history, though some of its history is heartbreaking. Fort Sumner was the destination of the long walks led by Colonel "Kit" Carson in 1864 when approximately 9000 Navajo and Mescalero Apache were "relocated" to the Bosque Redondo Reservation. Over 200 Navajo died during the 300 mile walks and an additional 1/3 of the prisoners died in captivity.

Fort Sumner was also the home of Lucien Maxwell, who at one time was the largest private land owner in the world with 1,714,765 acres in New Mexico and Colorado. Lucien had a son named Peter, and "Pete" Maxwell was a close friend of the Regulator and outlaw, William Henry McCarty, or Billy the Kid.

In 1881, Billy the Kid showed up on Maxwell’s ranch seeking refuge after escaping from jail. Although there are some historians who dispute this, it is widely believed that Sheriff Pat Garrett tracked Billy the Kid to the Maxwell property and shot him in Maxwell’s home.

Billy the Kid’s grave is in Fort Sumner, along with an extensive collection of memorabilia in the Billy the Kid Museum. However, there is one piece of memorabilia that is not in the Billy the Kid Museum--the only authenticated photograph of Billy the Kid. According to Brian Lebel's Old West Show & Auction, the tintype of Billy the Kid will be sold at auction on June 25, 2011 in the Denver Merchandise Mart at Brian Lebel’s 22nd Annual Old West Show & Auction. According to information on Brian Lebel's Old West Show & Auction website, the photograph is expected to sell for somewhere between $300,000 and $400,000.

Brian Lebel's website also has an extensive history of the photograph along with a statement by historian and collector Bob McCubbin. McCubbin explains why he believes the tintype is authentic, but he also explains why he believes the photograph is of Billy the Kid. McCubbin points out that Pat Garrett included the image in the book he authored, The Authentic Life of Billy the Kid, and Charley Siringo used the same image of Billy the Kid in his book, A Texas Cowboy. Garret and Siringo were both well-enough acquainted with Billy the Kid to be able to positively identify him in a photograph.

Billy the Kid has been immortalized in many books and films over the years. Some presented him in a favorable way, and others showed him in a more negative light. In December of 1880, Billy the Kid told a Las Vegas Gazette Reporter: “I don’t blame you for writing of me as you have. You had to believe other stories, but then I don’t know if any one would believe anything good of me anyway.”

Sunday, June 5, 2011

Rest in Peace, James Arness

James Arness, who played Marshall Matt Dillon on the television series Gunsmoke for 20 years, from 1955 to 1975, died on June 3, 2011. He was 88 years old. Arness also starred in the made-for-TV movie Gunsmoke, Return to Dodge in 1987, and four other Gunsmoke movies filmed in the 1990s.

Gunsmoke originally ran for nine years, from 1952 to 1961, on CBS Radio and William Conrad was the voice of Matt Dillon. John Wayne was the original choice for the role of Matt Dillon, but he turned the offer down because he did not want to commit to a weekly television series. Wayne recommended James Arness for the job and Wayne also introduced the first show with, according to IMDb: "When I first heard about the show "Gunsmoke", I knew there was only one man to play in it. James Arness. He's a young fellow, and maybe new to some of you. But I've worked with him and I predict he'll be a big star. And now I'm proud to present "Gunsmoke."

Matt Dillon's character is the sheriff of Dodge City, Kansas. Dillon was actually believed to be a compilation of various U.S. Marshals who served in Dodge City during its Wild West years. In the CBS Radio shows, Marshall Matt Dillon often referred to famous people from the American West, including Wyatt Earp and Billy the Kid, and claimed to be friends with Wild Bill Hickok, who also served as a lawman in various Kansas cities in the Old West. In fact, Wyatt Earp actually served as an Assistant Marshall in Dodge City, Kansas in 1876. There is speculation that the character of Matt Dillon was based on a compilation of Wyatt Earp, Wild Bill Hickok, and other famous Wild West lawmen.

Actor Rodd Redwing was the man who was shot at the beginning of each Gunsmoke show. I blogged about Rodd Redwing on Wild West History on Sunday, March 22, 2009. Redwing was considered one of the "fastest guns in the West." Redwing, 1904-1971, was a full-blooded Chickasaw, who appeared in more than eighty movies and television shows, including Key Largo, Elephant Walk, and, of course, every television episode of Gunsmoke. He made his film debut in 1931 in The Squaw Man. He also coached James Arness on the use of guns, as well as Henry Fonda, Dean Martin, Anthony Quinn, Jerry Lewis, Glenn Ford, Alan Ladd, and other Hollywood greats in the use of guns, knives, tomahawks and whips. Redwing was able to hit a target at twenty feet in two-tenths of a second. One of his most famous stunts was tossing a knife at a target while at the same time reaching for his gun, drawing, and firing to make a bullet hole for the knife to stick into when it reached its mark.

In the Dodge City, Kansas Boot Hill Museum there is a tribute to the Gunsmoke television series that includes set decorations from the show, photographs of the various actors and actresses, Sam the bartender's vest and Miss Kitty's dress. No doubt, there will soon be a tribute to Marshall Matt Dillon in the museum, as well.

Farewell, Marshall Dillon, and goodbye James Arness. You will be missed in the American Wild West.

Monday, May 30, 2011

Memorial Day Remembrance: The American Civil War and The Great Gainesville Hanging

It is difficult, and painful to imagine what life must have been like during the American Civil War. The example often used is "brother fighting brother," but it was more than that, it was neighbors fighting neighbors, friends killing friends, children lying about their ages and rushing off to join their older siblings only to die, anonymously, beneath trees or in ditches. War is painful for everyone, and the memories last beyond the lifetimes of those involved, spreading through the generations, changing families forever.

My ancestor, David Miller Leffel, died during the American Civil War. He was killed in a mob hanging in Texas. He was not a soldier. He was a farmer, and a family man. In 1858, on the brink of the American Civil War, he packed up his household and with his wife and eight children, headed south from Ohio to claim his wife's inheritance in Grayson County, Texas.

The Leffels would soon be embroiled in one of the hottest debates that Texas had ever known: Should Texas revert back to its original status as a separate country, remain loyal to the Union, or join the other Confederate states in seceding?

The question was highly debated in Texas. In the late 1850s, the Butterfield Overland Mail Route was completed, allowing for a mass migration into north Texas. It is estimated that fewer than 10% of north Texas households owned slaves at the start of the Civil War. The increasing population of northerners and abolitionists made slave owners nervous. In fact, in 1860, all of the counties above Dallas actually voted against secession.

The Confederate Conscription Act of 1862 increased tensions when thirty men from north Texas signed a petition arguing that large plantation owners should not be exempt from the Confederate draft. Brig. General William Hudson, commander of the militia district around Gainesville, ordered the arrest of all men who refused to report for duty with the Confederate Army. Soon, more than 150 men were arrested by the militia.

A “Peace Party” was formed of men who objected to these arrests. These men used a special handshake for identification and took vows of secrecy. Doctor Henry Chiles was one of the leaders of the Peace Party. In September of 1862, Dr. Chiles’ brother, Ephraim Chiles, had a bit too much whiskey at the local bar and revealed the details of the secret society to an acquaintance. Soon, the members of the Peace Party faced a far more sadistic end than conscription into the Confederate Army.

In October of 1862, residents of north Texas were forced to face the brutal realities of the American Civil War when forty men were dragged from their homes by a Confederate mob and transported to Gainesville. Two other men were shot and killed while trying to escape. One of the men dragged from his home was my ancestor, David Leffel.

The accusers held a mock trial. The men were charged with conspiracy and insurrection against the Confederacy by a jury of slave owners and owners of large plantations. Someone claimed the Peace Party intended to rise up against all Southerners and kill women and children. This claim, of course, was picked up by the newspapers, adding to the hysteria.

An angry mob formed in Gainesville. A mock trial was held and most of the men were found innocent, but a decision was made to release some of the men to the mob to appease their anger. At least three of the men hanged were elderly and arthritic, could not mount horses and were taken to their own hangings in a wagon. David Miller Leffel, referred to as "old man Leffel," my great+grandfather, was among the men who were fed to the crowds, along with four of his immediate family members, and Dr. Henry Chiles, along with his brother, Ephraim.

The bodies of most of the hanging victims were never found. It is believed they were buried in a mass grave. Surviving family members were harassed and abused for many years following the hangings. Many of the surviving family members sold their property and left Texas forever. My ancestors, David Leffel's oldest son, moved back to Ohio.

Shortly after the Civil War was brought to an end, David Leffel’s wife, Susan, wrote a letter to Edmund Davis who was Governor of Texas at that time. She begged Davis for assistance against further harassment and protection for her children.

Southern newspapers applauded the hangings, which they referred to as “The Great Hanging at Gainesville.” However, Jefferson Davis, President of the Confederate States, expressed his embarrassment over the situation and fired General Paul Octave Hébert as military commander of Texas for improper use of martial law.

Northern newspapers used the incident as an example of the barbaric nature of the Rebels. Unionist and former Texas congressman Andrew Jackson Hamilton later made use of the hangings to lend support to his campaign for Governor of Texas.

There are a few books detailing this incident, including Tainted Breeze: The Great Hanging at Gainesville, Texas 1862, and many newspaper articles detailing the events in a very biased manner. Most of the information known about this incident has been passed down through the generations in heart-wrenching stories.

And strangely, the incident is still referred to as "The Great Gainesville Hanging," though there was nothing great, admirable, or noble about anything that took place during this time.

Christmas dinner for a family, from a series of photos documenting Gen. John J. Pershing's 1916 Punitive Expedition into Mexico. ...